Patty & Emily at The Anthem

Have you ever heard about a show, and thought to yourself, “How did a show like that even get made, and how I wish I could have seen it!”? Then do yourself a favor and go see The Anthem. Based on an Ayn Rand novella about a dystopian society, it’s hard to tell which parts are scripted to be funny and which parts ended up being funny unintentionally. As a dystopian musical, you already have to work extra hard because you’re not Urinetown, not to mention when there’s a giant disco ball hanging from your ’80s-inspired set. Of course, we’re not complaining. We enjoyed (mostly) every confusing, crazy, exhilarating moment.

The main reason we enjoyed anything? The cast. They were working to sell every overblown emotion and unnecessary special skill they were asked to showcase. Like one of Stefan’s nightclubs, this show had EVERYTHING. Rollerskating, ice skating jumps on rollerblades, silks and rope work, a pansexual orgy, a lot of ’80s synthesizer…we could go on. And the ensemble performed everything with a wink. Whether intentional or not, we got it and were winking back at them. One of the big standouts (and our personal choice for Peter in NBC’s Peter Pan Live!) for us was Em Grosland. Em effortlessly switched between playing a hyper, robotic drone of The State and an animalistic, sadistic warrior of The Resistance.

One thing this show didn’t have enough of was Jenna Leigh Green. She had two songs, neither of which were worthy of her, but god knows she sang the shit out of them. And every scene she was in, she commanded the stage in her killer silver boots. The fact that her character is old enough to be the mother of another character seems to be another ridiculous plot point, but it turns out Jenna Leigh Green has a touch of KerryButlerAgelessBeauty. And when you have all that to work with, you use it. But every time she exited the scene, it just felt like we needed more of her.

Yet after the curtain call, we were left smiling, laughing, and shaking our heads. And we looked at each other and said, “We just saw that.” And when we tell generations of musical theatre lovers about it years from now, they’ll wish they could have been there. So don’t miss out! Go see The Anthem, and be a part of something weird and special.

The cast of The Anthem is Ashley Kate Adams, Patch David, Jamyl Dobson, Brian Ferree, Shiloh Goodin, Jason Gotay, Jenna Leigh Green, Emily S. Grosland, Katie Lee Hill, Crista Marie Jackson, Randy Jones, Damian Thompson, and Remy Zaken. You can get tickets here.

Patty & Emily Review Heathers

Laurence O’Keefe is at it again with Heathers the Musical, which he wrote with Kevin Murphy. Heathers stars Barrett Wilbert Weed, Ryan McCartan, Jessica Keenan Wynn, Elle McLemore, and Alice Lee, with Katie Ladner, Jon Eidson, Evan Todd, Anthony Crivello, Dan Cooney, and Michelle Duffy. The ensemble includes Dan Domenech, Cait Fairbanks, Rachel Flynn, Molly Hager, Charissa Hogeland, AJ Meijer, Matthew Schatz and Dustin Sullivan.

Patty & Emily at Under My Skin

The body swap comedy has long been an important dramatic tradition. And new play Under My Skin by Robert Sternin and Prudence Fraser does this tradition proud. Taking a new twist on familiar territory, Under My Skin finds the actors, Kerry Butler (Melody Dent) and Matt Walton (Harrision Badish III), switching costumes instead of mannerisms. So instead of a Freaky Friday situation where Jamie Lee Curtis (or Barbara Harris if you’re old school) acts like a teenager, you have Kerry Butler dressed as a man, dealing with her new found “equipment” and Harrison’s randy financè. Or Matt Walton in a breezy hospital gown, dealing with the uncomfortable reality of a visit to the gynecologist.

The play tackles some bigger issues too, as the laughs come. Predictably, the differences between men and women, and how we all should be a little more understanding of each other. But also the very hot button issue of healthcare, as Harrison is the CEO of a large insurance provider and Melody his employee. Many aspects are touched on, from preventative care to benefits for part time employees. If only we could all swap bodies in real life, maybe we’d be able to figure it out too.

Kerry Butler and Matt Walton both did great jobs retaining their characters, while juggling the task of also acting as the other. The cast is rounded out by a fantastic ensemble, and they all deserve a mention: Dierdre Friel, Edward James Hyland, Kate Loprest, Andrew Polk, Megan Sikora, Allison Strong. The understudies are Justin Adams, Kate Fahrner, and John Michalski.

Make sure you get over to the Little Shubert and see this show! And before the show, stop by KTCHN, just down 42nd street. They have a great $25 Pre-Theatre Prefixe menu. We had a little taste, and if the quinoa bites are any indication, you won’t be disappointed. In the food or the show after.

Tickets: www.undermyskintheplay.com
KTCHN: www.ktchnnyc.com

Bullets Over Broadway Statement

When any new show is set to open, we immediately get questions from all of you as to when our review will be coming out. Which is why we wanted to let you know that we will not be seeing or reviewing Bullets Over Broadway. We’ve discussed it and given it a lot of thought, and while we will always support new theatre and theatre professionals, we do not feel comfortable promoting something that will, in part, benefit Woody Allen.

Patty & Emily at 50 Shades! The Musical

Yes, we went to see 50 Shades! The Musical. Yes, neither of us have read the books. Even Patty, who read all of the Twilight books in a misguided attempt to understand a pop cultural phenomena. All this being said, we still really enjoyed 50 Shades. While some things may have been funnier had we read the books, the jokes about how poorly written they are will be funny to everyone.

The success of the show has everything to do with the fantastic cast and creative team (a bunch of awesome people from Second City and Baby Wants Candy). With our (now distant) improv backgrounds, it was interesting to understand the mechanics of how the show came together. Both of our audiences (we had to see it on separate days) were full of women chomping at the bit to see hunky Christian Grey. Let’s just say there was a definite play on expectations, and it was extremely fulfilling. When Emily saw the show, the rowdy women got a little more personal, with one chiming in a reflective moment and the fantastic Amber Petty (Anastasia Steele) sassing her back to Jersey (probably).

Over all, if you want a fun, fast-paced night with some great belting, lots of (different kinds of) BODY, and laughs, go see 50 Shades! The Musical. Bonus points for the use of a mid-title exclamation point and handcuffs in place of the E. We also happen to have a discount code for you here. The best part is that you don’t have to read the books.

Website: www.50shadesthemusical.com
Twitter: @Musical50Shades